What makes radio news

The daily program would be completely free from advertising interruptions. Such programs would be on the same dial and would compete directly with the commercial advertising radio. FM, at most, will gradually supplant our present transmission-reception system by amplitude modulation.

Television, also in the offing, is a more radical innovation. Unlike FM radio, its technical characteristics seem to call for very expensive installations and high program production costs. It may tend toward greater concentration of ownership. Possibly the highly-centralized motion-picture industry may become a principal maker of television programs. The broadcast networks interested in television clearly want to keep the making of programs within their own control.

They would rather not serve merely as buyers and sellers of programs made in advertising agency studios. It would be foolhardy to predict what chefs will actually make up the television menu, or what kind of food they will serve for the spectator-listener. But they are not likely to be the same chefs who now serve the radio audience. Facsimile broadcasting, which at some future date may transmit printed bulletins by radio, will draw closer together the interests of newspapers and radio.

It will present new possibilities and new problems in the control and communication of news. Facsimile will also make it possible to "deliver" magazines and books to our homes by radio. Finally, the war stimulated great development of international short-wave broadcasting, entirely at the hands of government agencies and for war purposes.

The return of peace will probably allow the government to step out of the direct control and direct operation of short-wave facilities. But short-wave radio is an international agency of communication.

Private broadcasters interested in developing short-wave programs, therefore, feel that the federal government will have to exercise more control than it does in the case of domestic radio. What form future American short-wave broadcasting will take and precisely what role the government will play in it have not yet been decided.

Radio waves-and short waves in particular-have no respect for political boundaries. Just as their disregard of state lines makes federal supervision necessary, so their inability to stop at national borders calls for international regulation. It's another case of having to create a superior authority or set of rules in order to avoid impossible confusion. To take the most obvious examples, radio stations in Canada and the United States must stay off each other's wave lengths.

So must the stations in Europe's many nations. The only way to solve effectively this and the many other international problems of radio is by international agreement. As new techniques of broadcasting are developed, the international as well as the domestic consequences become more complex. At the moment, then, radio bristles with unsolved problems of long standing, with new opportunities, and with new problems.

GI Roundtable Series. Corey Prize Raymond J. Cunningham Prize John H. Klein Prize Waldo G. Marraro Prize George L. Mosse Prize John E. A radio news story is a short, accurate, factual report about an event, whether a political, social, sporting, or business event. A radio news story can be simply read by a news reader or it can include audio clips, such as statements from interviewees or reporters; it can also include recordings of activities made at the site of the news incident.

A standard radio news story is made up of around five sentences and is around 20 to 25 seconds long. A radio news story is similar to all other forms of news media, in that the most important information comes first. Following the most important and current information come sources, background information, and other developments - these proceed from most important to least important. The least important information comes at the end. Not all of the answers may be available from the same place, at the same time.

But if the first four Ws cannot be answered, then the news story is incomplete. Avoids copying directly from news agency reports, as often the language used by agencies is not suitable for broadcast news. On some radio stations, the news is presented by specially trained news readers who are not necessarily journalists.

The news item uses neutral language and is presented in a calm and slow manner. The news item is more important than the presenter. When basic questions about journalism come up, this handbook, written and produced by Media in Cooperation and Transition MICT , provides clear, brief and precise answers.

Download the English version here or the Arabic version here. Learn about the threats to freshwater around the world and opportunities for transboundary water cooperation of shared water resources by visiting the Blue Peace Index.

As a result, you have to keep your writing simple and clear. As with any type of news writing, you should try to identify characteristics of your audience so you know what type of information your audience wants.

Use the criteria of newsworthiness presented in News Media Writing in this publication series to help you determine if your television or radio news story idea has news value. Television and radio news stories must have these attributes:. The Associated Press. The Associated Press stylebook and briefing on media law 55th ed. New York: The Associated Press.

Burnett, C. Writing for agriculture: A new approach using tested ideas 2nd ed. Dubuque, IA. Oliu, W. Writing that works: Communicating effectively on the job 9th ed. Telg, R. Agricultural communications in action: A hands-on approach.

Clifton Park, NY: Delmar. DOI: doi. General Public. Original publication date January Revised June Home Experts Topics. Writing for the Eye and Ear Writing for radio and television is different from writing for print for several reasons.

Television and radio news stories must have these attributes: The writing style should be conversational. Write the way you talk.

Each sentence should be brief and contain only one idea. We do not always talk in long sentences. Shorter sentences are better in broadcast news writing.

Each sentence should focus on one particular idea. Be simple and direct. If you give your audience too much information, your audience cannot take it in. Choose words that are familiar to everyone.

Read the story out loud. This will give you a feeling for timing, transitions, information flow, and conversation style. Your audience will hear your television or radio news story, so the story has to be appealing to the ear.

A good newspaper story ranges from hundreds to thousands of words. The same story on television or radio may have to fit into 30 seconds—perhaps no more than words.

If it is an important story, it may be 90 seconds or two minutes. You have to condense a lot of information into the most important points for broadcast writing. Use correct grammar. A broadcast news script with grammatical errors will embarrass the person reading it aloud if the person stumbles over mistakes. Put the important information first. Writing a broadcast news story is similar to writing a news story for print in that you have to include the important information first.

The only difference is that you have to condense the information presented. Write good leads. Begin the story with clear, precise information.

Because broadcast stories have to fit into 30, 60, or 90 seconds, broadcast stories are sometimes little more than the equivalent of newspaper headlines and the lead paragraph. Stick to short sentences of 20 words or less. The announcer has to breathe. Long sentences make it difficult for the person voicing the script to take a breath.